Is Nagaland Slowly Becoming Punjab?
Udta Punjab, the gripping 2016 Indian film directed by Abhishek Chaubey, plunged viewers into the harrowing reality of drug abuse in Punjab. Featuring renowned actors like Shahid Kapoor, Alia Bhatt, Kareena Kapoor Khan, and Diljit Dosanjh, the film intricately wove together the lives of four individuals devastated by the state’s rampant drug epidemic. Its stark depiction of addiction and its consequences ignited a nationwide discourse on substance abuse.
Yet, the grim spectre of drug abuse is not confined to Punjab alone. Nagaland, a state known for its rich cultural heritage and vibrant festivals, is now battling its own drug crisis, notably with a substance ominously dubbed Sunflower or Shanflower Drugs.
Udta Punjab presents a microcosm of the drug problem through its four main characters: Shahid Kapoor (Tommy Singh), a rockstar ensnared by addiction; Alia Bhatt’s (Mary Jane/Bauria), a migrant worker ensnared in the drug trade; Kareena Kapoor Khan’s (Dr. Preet Sahni), a determined doctor fighting against the drug menace; and Diljit Dosanjh’s (Sartaj Singh), a police officer whose life is upended by the crisis. Each character’s struggle underscores the widespread and multifaceted impact of substance abuse, from the entertainment industry’s glamorization of drugs to the brutal realities of trafficking and addiction.
The film weaves together the lives of these four characters, each representing different facets of this pervasive issue. Tommy Singh’s character symbolises the glamour and downfall associated with substance abuse. His life spirals out of control as his addiction deepens, showcasing the destructive influence of fame and drugs. Sartaj Singh, a police officer, initially turns a blind eye to the drug problem, benefiting from the corruption within the system. However, when his brother falls victim to addiction, Sartaj is forced to confront the brutal reality and fight against the very system he once upheld. Dr. Preet Sahni, a dedicated doctor, battles tirelessly to rehabilitate addicts and expose the drug mafia. Her unwavering commitment to saving lives and her relentless pursuit of justice highlight the struggles and resilience of those fighting the epidemic on the front lines. Lastly, Mary Jane/Bauria, a migrant worker, caught in the web of drug trafficking against her will. Her journey from being a victim to a survivor encapsulates the helplessness and strength of those trapped in the cycle of exploitation.
Through these interconnected stories, Udta Punjab delivers a powerful commentary on the socio-political factors fueling the drug menace. It is a stark, unflinching look at a community grappling with addiction, corruption, and the desperate need for change.
Drug Abuse in Nagaland- The Case of Sunflower Drugs:
Nagaland is also facing its own perilous journey with drug abuse, specifically with a synthetic drug known locally as Sunflower/Shanflower Drug. This insidious substance has found a foothold among the youth, drawing alarming parallels to the situation depicted in Udta Punjab.
Though the drug problem in the state is a plant of the seeds sown by unemployment and lack of opportunities. With limited job prospects, many young people in Nagaland face a bleak future, often turning to drugs as an escape from their daily struggles. Peer pressure and social influence is also a contributor in the escalation of drug use. The desire to fit in and the allure of drug use in certain social circles significantly contribute to the rising tide of substance abuse. And also, the accessibility and lack of awareness- the easy availability of synthetic drugs, coupled with a lack of awareness about their devastating effects, exacerbates the problem.
The themes explored in Udta Punjab resonate deeply with the drug abuse scenario in Nagaland. With both regions facing widespread addiction. Similar to Punjab, Nagaland sees a broad cross-section of its population struggling with drug addiction. The film’s depiction of drug trafficking rings mirrors the illegal drug trade in Nagaland, where such networks (allegedly from Burma and major supply from Dimapur) often operate unchecked. Both regions witness the tireless work of individuals and organisations striving to rehabilitate drug users. In Udta Punjab, Dr. Preet Sahni embodies these efforts, much like the NGOs and governmental programs working tirelessly in Nagaland.
But, the consequences of Sunflower Drugs is not restricted to the individual users, rather, it is affecting the broader community and the society. Apart from the health issues faced by the addict, what is more concerning is their social disintegration. As there are many cases where we have witnessed that addiction tears families apart, leading to increased crime rates, domestic violence, and the erosion of social structures. Also, the healthcare system and law enforcement agencies are strained, and the region’s economic productivity suffers as addiction incapacitates a significant portion (the youths) of the population.
Udta Punjab serves as a poignant reminder of the pervasive issue of drug abuse, echoing the challenges faced by regions like Punjab, Nagaland and many other states in India. The crisis surrounding Sunflower Drugs in Nagaland underscores the universal nature of the drug problem, transcending geographical and cultural boundaries. Addressing drug abuse necessitates a comprehensive approach, encompassing awareness campaigns, socio-economic improvements, stringent law enforcement, and robust rehabilitation services. By drawing lessons from narratives like Udta Punjab and understanding the unique dynamics at play in places like Nagaland, society can forge a path towards combating this pervasive issue and fostering a healthier future for all.
Degree of Thought is a weekly community column initiated by Tetso College in partnership with The Morung Express. Degree of Thought will delve into the social, cultural, political and educational issues around us. The views expressed here do not reflect the opinion of the institution. Tetso College is a NAAC Accredited UGC recognised Commerce and Arts College. The editorial team includes Chubamenla, Asst. Professor, Dept. of English and Rinsit Sareo, Asst. Manager, IT, Media & Communications.
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